Tag: Typography

Without a Doubt, Hannes von Döhren's Brandon Grotesque Is the Geometric Sans Typeface With Manners. I wrote a short post about it here years ago,...

After a decade of flat sans-serifs, designers want texture and visible human choices. Meanwhile, AI-generated images look smooth and anonymous, so imperfect lettering feels...

The Montmartre font makes a bold bet. It assumes that hand lettering fails through repetition, not through roughness, and Komet & Flicker designed a...

The Paris Breakfast Club Font Bundle Nails Café Branding, Mostly. This is a seven-file bundle built around two font families: Paris Breakfast Club, a rustic...

Slanted Experimental Type 4.0 is the fourth edition of Slanted’s series dedicated to experimental type. Across 296 pages, it brings together typefaces that push,...

I used Marjolaine in three logo mockups this month, and I keep coming back to it for the same reason: it doesn't try to...

Pull up ten brand decks from the past six months and count the quiet, minimal sans-serifs. I did exactly that in August, working through...

Reclymate Proves a Condensed Font Doesn't Have to Feel Cramped Reclymate, built by Zarma Type, was drawn narrow from the start, not squeezed after the...

A review of Vintage Graphic Design, Steven Heller and Louise Fili's sourcebook of type, monograms, and ornaments from the golden age of printing. I bought...

The GC Fentura font family markets itself as a "modern structure sans," which sounds like the kind of phrase a type foundry writes at...

The Couturier Font Duo Is the Tailored Type Pairing Fashion Branding Has Been Missing Tailoring and typography have more in common than most designers ever...

James Edmondson built OH no Type Co. into one of the most recognizable names in independent type design, and now he's put the whole...