Tag: Typography

Pull up ten brand decks from the past six months and count the quiet, minimal sans-serifs. I did exactly that in August, working through...

Reclymate Proves a Condensed Font Doesn't Have to Feel Cramped Reclymate, built by Zarma Type, was drawn narrow from the start, not squeezed after the...

A review of Vintage Graphic Design, Steven Heller and Louise Fili's sourcebook of type, monograms, and ornaments from the golden age of printing. I bought...

The GC Fentura font family markets itself as a "modern structure sans," which sounds like the kind of phrase a type foundry writes at...

The Couturier Font Duo Is the Tailored Type Pairing Fashion Branding Has Been Missing Tailoring and typography have more in common than most designers ever...

James Edmondson built OH no Type Co. into one of the most recognizable names in independent type design, and now he's put the whole...

GridType Vol. 1 just landed from Slanted Publishers, and it does something most type books don't bother with. It shows you the tool, not...

Sudtipos' Chimango Font Family Is a High-Contrast Serif for Editorial Typography. Chimango arrived quietly. No big campaign, no flashy launch reel. And yet, the moment...

The Cherry Merlot font Is the Vintage Ink Script Typeface That Balances Edge and Elegance. Some typefaces announce themselves loudly. Cherry Merlot does the opposite—it...

Typography shapes how people experience words before they even read them. The weight of a serif, the rhythm of a line, the tension between...

Type design sits at the intersection of craft, technology, and obsession. A well-made typeface can take years of work. It can carry the weight...

Most design movements age out. Swiss Style just keeps compounding. What started in the studios of Zurich and Basel in the early 1950s now...