WE AND THE COLOR

A logotype book only earns shelf space if it survives contact with an actual deadline. So I put From Type to Logo, published by...

Bosstype Studio doesn't do small releases. Quite often, type foundries ship a serif family with maybe six weights and call it a day. But...

My mother kept a box of photographs that spent forty years in a damp attic. Water stains, a diagonal tear across a wedding portrait,...

I discovered the Edition font by Funtype Co. on Creative Fabrica three weeks ago. It's ultra-condensed, all caps, bold enough to bruise. I almost...

A friend of mine lent me his copy of The Art Book three weeks ago and told me, half-joking, "Just don't spill coffee on...

Almost every designer agrees that brand guideline documents matter, yet almost nobody enjoys building one from scratch. Hence, I spent eleven days testing the...

The short answer: match your timeline resolution and frame rate exactly; export H.264 in Adobe Premiere (or H.265 in DaVinci Resolve when your footage...

The Astoria's Editorial Serif is a font family from CarmineType that promises retro charm with a modern edge, and that's a big claim in...

Fracture: Japanese Graphic Design 1875–1975 is a 447-page survey by Ian Lynam that finally gives English-language readers a real history of Japanese design, not...

René Bieder's Neurath Mono Typeface Proves Monospace Type Doesn't Have to Feel Cramped. I'm pretty excited because Neurath Mono just landed from Studio René Bieder,...

Adobe Creative Cloud plans changed shape again this year, and most of the comparison charts floating around the internet are already outdated. I run...

James Edmondson built OH no Type Co. into one of the most recognizable names in independent type design, and now he's put the whole...