Sam Chivers is an illustrator who lives and works in Wilmington, UK. Inspired by the countryside in which he lives, and his joy in fictionalizing it through drawing, Sam’s illustrations bridge the gap between science and nature. So far he has collaborated with major clients including names such as Adobe, Playstation, New Scientist, The Economist, GQ, Washington post, Telegraph Magazine, NoBrow, Foreign policy magazine, Easyjet, Fast Company, Tesco, Dubai 2020, Hoheluft Magazin, New Republic, Wired Bulletin Magazine, Nautilus, The Planner, Economia, Samsung, among others.
Below you can find a selection of his recent illustrations. To see more, please visit Sam Chivers’ website or follow him on Behance.
Beauty Inc – The Next Dimension. “This image is about how the Beauty industry is already harnessing Virtual Reality technology to market it’s products. The idea was to create a world within a world, or rather a department store within in a world.”
Das Netz – Digitization & Society. “This is a cover image for a German annual digest that discusses new ideas in technology. This years edition is generally about the effect of Social media on society. What I wanted to get at with this image was the idea that a new virtual world is being constructed on top of the old physical world Hence virtual holographic stairs perched on real classical pillars.”EMI – Synthematic. “This is a cover for a compilation of synth based library tracks.”Fabric Magazine – London’s Green spaces. “This is a cover for Fabric Magazine, the Spring issue celebrating London’s green spaces. This is one of the smoothest jobs I’ve ever worked on in 16 years of illustrating. From initial rough stage to the completed thing it was completely plain sailing, usually on covers there’s a degree of back and forth.”Shop Magazine – Atomium monument. “Shop magazine generally to know what they want, and this was no exception. For this the idea was to have The Atomium monument in Brussels in an art gallery with shoppers milling about.”The Economist – Colonizing Mars. “This is a series of three illustration about the technicalities and potential pitfalls facing any planned mission to mars. The deadline for these was 36 hours, which for me isn’t a very long time.”Variety – Black Mirror season 3. “I’m still recovering from the second episode of this. The darkest most unsettling thing I’ve seen for ages.”
This website uses cookies to improve your experience. By continuing, you are agreeing to our terms of use.AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
